• Judith Geerts
  What will be your question 07.12

• Simon Wald-Lasowski
  Holding onto and letting go 01.11
• Alexandru Mihai Budes & Lisa Marie Schmitt
  Optimism Versus Ostalgia 29.09

• Lisa Vlaemminck
  Dystopian Futurism 25.08
• Michaela Schweighofer
  Familiar yet Alien: The pursuit of Ambivalence and Uncertainty 01.06
• Daniel de Paula
  Something concealed in the physical space 01.06
• Thomas Renwart
  Pressed for posterity. A conversation with Myrna D'Ambrosio 15.03
• Thomas Renwart
  Art as a weapon against tears 26.02
• Shervin/e Sheikh Rezaei
  An encounter between emotion and rationality 12.12.21
• Massimo Colombo
  Listening is a foundation for my relationship with nature 11.12.21
• Rotem Gerstel
  On the edge of meaning 11.12.21
• Flavia Passigli
  The instruments and wind become vital players 11.12.21
• Nina Queissner
  Channeling the sonic exterior-to-me into the own interior corporeality 11.12.21
• Melissa Ryke
  Braced under the heating sun 11.12.21
• Kenta Tanaka
  Listening is a poetic way of facing places and of knowing yourself 11.12.21
• Luís Neto
  I invite everyone to wander endlessly in our shoes and inside our ears 11.12.21
• Evelien Lucie Verhegge
  Listening is a conscious decision 11.12.21
• Job Worms
  The Sound of the Mountain 11.12.21
• United Intelligence Lab
  Let’s wind up the nursery tale of AI 01.10.21
• Vijai Patchineelam
  etc.-artist 01.10.21
• Anne Duk Hee Jordan
  Let’s Rewild KIOSK! 11.09.21
• Jakob Van den Broucke
  Art as idiosyncratic schooling 26.08.21
• Elen Braga
  Vai piorar/Zand erover 01.06.21
• Subversive Film
  Resounding Archives: Researching Militant Filmmaking and Revolution in the Palestinian Context 25.05.21
• Mathias Domahidy
  Moules à volonté 17.04.21
• Riet Wijnen
  What’s in a name? 06.04.21  –  06.04.21
• Erich Weiss
  I am quite anarchistic 01.03.21
• CMMC
  For Training Purposes 01.03.21
• Gert Verhoeven
  On the hunt for good inspiration 13.01.21
• Floor Vanden Berghe
  About Antipedia, fake news, open source and algorithms 13.01.21
• Shilpa Gupta
  Blurred Lines 2017
• Kaïn Walgrave
  Taking time for that crap that nobody wants